Latest Blogposts
Background to an EP - A few notes on the EP ‘If You Want Love (Have Mine)’, now available on Bandcamp: I tried to get a few record companies to release the Bahaudin album (made between 1999 and 2001) on the basis that it was produced by Nigel Stonier, featured Rod Clements and to a lesser extent Thea Gilmore, all of whom had solo albums out on independent labels. There were other recording projects which followed, but the main lesson I took from the experience of self-funding an album, and then trying to tout it around, was that it would have been better to do… Read MoreGoin’ Viral - A new song built on the foundations of an old one. The current world health crisis can’t be described as inspiring but for those of us fortunate to be safe and healthy it has afforded the opportunity to sort through the cupboards and rearrange the furniture…… Read More
Let’s Fall in Love - We expected to be playing at Grossman’s, Toronto, on April 10th but it’s been cancelled due to coronavirus. So here’s us playing a cover of an Ugly Bug Band song. Michael Kaler (of the Ugly Bug Band) wrote it and plays bass. Tim Shia plays drums in the alcove. Many thanks to them!… Read More
The Great Neil Innes - It’s tempting, when explaining to people who Neil Innes was, to immediately associate him with the world-famous English exports he had connections with. But I think the first I heard of him was not as a hanger-on of The B**tles or M*nty Pyth*n but as a solo act singing How Sweet to be an Idiot on television in the nineteen-seventies. That song, from his first solo album in 1973, seems to be pure Neil. What he appeared to do most in his songwriting, however, was inhabit other characters. These could be specific people, like J*hn L*nn*n, Elton John, Elvis Presley,… Read More
The Police: One Generation Later - In nineteen eighty-three there were some kids I knew at school who were just starting to play what could loosely be called ‘rock’ music. It was the New Romantic era, a time when synthesizers, sequencers and one particular hairstyle were all the rage. These kids needed some pop stars to admire and be inspired by. Britain had lost, grieved over and moved on from The B**tles. The schoolkids I’m referring to were not yet intellectual enough for Pink Floyd. Queen were too theatrical and a bit poncy for us provincial types. U2 were not yet a global force and their… Read More
King of the Harbour - On Spotify, Apple Music and elsewhere, there now exists a digital version of the joint release with poet Stuart Ross An Orphan’s Song: Ben Walker Sings Stuart Ross. It was recorded with another friend, Richard Ashrowan, in the Scottish Borders in 2007 and manufactured in Toronto by fellow traveller Seb Agnello. Dead Cars Stuart Ross is an extremely prolific writer. He’s also a consummate performer. In 2008, the year I came over to Toronto from Britain to play An Orphan’s Song live, DC Books of Vancouver published Dead Cars in Managua, a book in three sections. The first part combines… Read More
The Great Denis Pym - From the time when I had little musical ability but plenty of eccentricity in the late 1980s through to the last time I played music in his presence in 2008, the Australian economist, sheep farmer and community-spirited anarchist Denis Pym was always tremendously encouraging. Playing original music at grassroots level in Britain can seem like being subjected to an endless procession of people telling you that you’re not good enough. So when someone from the older generation shows enthusiasm and support it is something to be grateful for. ‘Play the biscuit song’, Denis would call out good-naturedly when I was… Read More
A Place Like This is out today! - 10 funky, ambient and humorous tracks originating from 2000-2, mostly co-written and co-performed with Michael Pierce-Goulding. Some have been completely redone. Recorded in London in 2000-2/Toronto in 2019. Cover photo by Jakey Thomas (cc-by-sa/2). Ben and Mike When I was looking for gigs with Mike Pierce-Goulding in 1996, he was described in our misguided promotional material as ‘seeing part of his future in pop’. Mike played piano on my final recital on the Middlesex University BA in Performance Arts course in 1994. He is very good at jazz but told me at the time that he saw himself more as… Read More